Guns, Germs and Topes

The culmination of months of work, my photojournalism project documenting the abhorrent lack of freedom endured by Mexico’s people as reflected in the continued prevalence of a colonial vestige: el tope.

Mexico suffers from an epidemic so pervasive that most residents are unaware of its pernicious effects and unendemic origins. The concept was initially brought from Europe during the Spanish conquest of the Americas and was tradionally used for psychological warfare, harassment in a sense. It was initially seen in very primitive and crude forms, of which artifacts have scarcely survived. The years that ensued after the arrival of the Spanish, and for the entirety of their presence in Mexico, were marked by fierce resistance on the part of indigenous peoples and a lack of cohesion amongst the colony. This lead to the development of an institutionalized form known as a Tùmulo, a named still used in Guatemala despite its brutal etymology, that translates to ‘tomb’ or ‘burial mound.’

Mexico, ever since its emancipation from the dominion of the crown, has been nothing but an aristocracy cloaked in the pleasing rhetoric of democracy. The need for oppression to assure order has never dissapated and neither has the existence of Tùmulos. In fact, they have proliferated since independence under a multitude of different names and physical forms intended to obscure the device’s origin: vibradore, tope, reductor and through signs adopting Mayan glyphs that are universally intelligible in the linguistically diverse nation.

Although stripped of their previously potent form and only seen in muted representations, their existence is a reminder of where power lies. The aristocracy has consolidated power and managed to create a market within this country, through legislation, for something seen as an oppressive burden on citizens and commerce in almost every other part of the world. The tope construction industry has come to consume to an estimated 25%-27% of the GDP of the 13th largest economy in the world. Tope related industires, such as car repair and tope maintenance contribute an additional 7% to this number.

I set out on my bicycle from the United States three and a half months ago to document this sad phenomenon.I was forced to go through the motions of being an abhorrent Western tourist in order to gain access to several tense tope terretories: pretending that I am interested in churches, Chinese-made trinkets, finding good coffee and eating pizza. I was forced to discuss ‘how incredibly cheap everything is!’ and which is the best party beach. All of this time I had only one thing on my mind, one major bump to me enjoying myself: topes. I felt the jar of the topes in my body and in the components of my bicycle. I watched families on their way to picnics grinding the bottom of their vehicles across a dozens of topes in a row serving no purpose other than antagonization. I have flown down dozens of mountains in elation only to have my smile fade as I am repeatedly warned by signs that this cannot continue, losing all of the momentum that I built up over hours of climbing. I have seen the localized resistance, the valiant guerrillas fighting against a faceless industrial enemy with their barehands, taking to the streets wielding sledgehammers and picks to create safe passage for their compadres.

I was quiet about my cause, only was stopped once and questioned by the military as I took pictures of a tope near a checkpoint, where I was forced to lie, telling them that I wasn’t taking pictures of the tope, just documenting their communications equipment and technology for publication on the internet. To avoid responding to too many emails I have the following to say to you: You are welcome. Here is what I found:

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Estado de Michoacan: Threat of tope installation.
Estado de Michoacan: Threat of tope installation.
Distrito Federal. Half ellipse. Faded white/yellow stripes on Asphlant. Obscure on approach.
Distrito Federal. Half ellipse. Faded white/yellow stripes on Asphlant. Obscure on approach.
Estado de Puebla: Steep approach, half ellipse. Brilliant red/white striped Asphalt.
Estado de Puebla: Steep approach, half ellipse. Brilliant red/white striped Asphalt.
Estado de Puebla: False form. White/yellow.
Estado de Puebla: False form. White/yellow.
Estado de Puebla: Reverse tope. Loose soil/gravel on Asphalt.
Estado de Puebla: Reverse tope. Loose soil/gravel on Asphalt.
Amecameca, Puebla: Half ellipse. Asphalt.
Amecameca, Puebla: Half ellipse. Asphalt.
Cholula, Puebla: Lengthy trapezoid. Cobblestone.
Cholula, Puebla: Lengthy trapezoid. Cobblestone.
Patria Nueva, Puebla: Densely clustered domes. Yellow on steel.
Patria Nueva, Puebla: Densely clustered domes. Yellow on steel. Man holding rooster on roadside.
San Nicolas Huajuapan, Puebla: Half ellipse. Dirt.
San Nicolas Huajuapan, Puebla: Half ellipse. Dirt.
San Juan Atzompa, Puebla: Triangular. Brick underlaid with concrete (presumably).
San Juan Atzompa, Puebla: Triangular. Brick underlaid with concrete (presumably).
Tepexi Rodriguez, Puebla: Trapezoidal with ridges. Concrete.
Tepexi Rodriguez, Puebla: Trapezoidal with ridges. Concrete.
Outskirts of Oaxaca de Juarèz, Oaxaca: A formation of domes. Yellow on steel.
Outskirts of Oaxaca de Juarèz, Oaxaca: A formation of domes. Yellow on steel.
Asunciòn Cacalotepec, Oaxaca: Used tire tread.
Asunciòn Cacalotepec, Oaxaca: Used tire tread.
San Juan Cotzocon, Oaxaca: Half ellipse. Wood reinforced with gravel.
San Juan Cotzocon, Oaxaca: Half ellipse. Wood reinforced with gravel.
Poblado Cinco, Veracruz: Three domed ridges. Concrete.
Poblado Cinco, Veracruz: Three domed ridges. Concrete.
Outside Copainala, Chiapas: Long trapezoid. Brick core with concete approach.
Outside Copainala, Chiapas: Long trapezoid. Brick core with concete approach.
Copainala, Chiapas: Formation of trapezoidal reflectors. Plastic.
Copainala, Chiapas: Formation of trapezoidal reflectors. Plastic.
Outside Soyalò, Chiapas: Formation of half ellipses. Asphalt.
Outside Soyalò, Chiapas: Formation of half ellipses. Asphalt.
San Cristòbal de Las Casas, Chiapas: Rectangular multimedium. Concrete with river cobble inlay.
San Cristòbal de Las Casas, Chiapas: Rectangular multimedium. Concrete with river cobble inlay.
Outside San Cristòbal de Las Casas, Chiapas: Rectangular. Plastic with steel anchors.
Outside San Cristòbal de Las Casas, Chiapas: Rectangular. Plastic with steel anchors.
Outside Comitan de Dominguez, Chiapas: Round. Rope.
Outside Comitan de Dominguez, Chiapas: Round. Rope.
Outside Huehuetenango, Quichè, Guatemala: Natural.
Outside Huehuetenango, Quichè, Guatemala: Natural.